A Study of Losses is a free interpretation of the German author Judith Schalansky's novel "Verzeichnis einiger Verluste," which, with magical realism, depicts life and history as a series of losses and disappearances. Realms crumble, buildings turn to ruins, cultural artifacts are destroyed, animals face extinction. Most losses remain unknown, precisely because they are lost. We gaze upon what we believe to be history, yet it is essentially a series of temporary preservations in a vast sea of losses. Through circus, contemporary magic, and object manipulation, there is a playful and choreographic exploration of the allure of what has been lost.

In Giraffens ABC, the youngest audience is welcomed into an amazing alphabet studio, where two circus artists have been given the daunting task of getting through the 29 letters of the alphabet in just 35 minutes.

A composition for two circus artists and a hundred objects.
The performance is a play with chain reactions and how our own, allegedly simple actions are interconnected and affect each other. The circus edition of the Goldberg variations is a subtly clever, magical and visually dense tale without words. The sounds are created on stage with self-built, automated musical instruments.

Moln is a circus performance imbued with music and inspired by the life and work of legendary Swedish poet Karin Boye. Its framework is the tale of a collection of individuals living at each other’s mercy in a sort of vacuum between childhood and adolescence. Dystopian, yet life-affirming, it moves between the ordinary and the grand.

Two circus performers create living sculptures from common objects and their own bodies. Through acrobatics and magic, they find moments of balance, where almost everything is perfect and still. As this moment is quite fragile, it requires concentration but also a little bit of luck.